Using windows and storefronts to frame an individual really created intimate photographs. They are unaffected by my presence and merely go about their work or their honest, unfiltered interactions with others. I can also frame the picture with reflections, frames, objects in the window sill, and things in the back ground, allowing for the insertion of this natural, intimate human countenance into an image which could be abstract or hyperrealistic and play with two dimensional and three dimensional depth perception. This sort of depth perception I also apply to architectural photography. These intimate moments can also occur on the streets. Using corners, angles, and lines of a three dimensional structure to design the two dimensional photograph I am making.
Manhattan, New York





























